Dol Ammad is my first and most grandiose music project. Through Dol Ammad I envision endless sci-fi stories of space battles, alien technology and civilizations, fantasy stories of cosmic triumph and galactic destruction.

The idea behind Dol Ammad appeared to me in 2001 after experimenting with sounds and rhythms that evolved into ideas that sounded very original to my ears. These ideas featured extended use of synthesizers and sound effects mixed with a power metal core of distorted rhythm guitars and high speed double bass drumming.

"The Obsidian Tyrant" is a massive Dol Ammad opus that took me 9 months to create. It is a story of revolution while also examining the archetypal father-son conflict.  It is released on the 14th of June 2024.

You can check more details about the track in my YouTube video:

Released on the 20th of October 2023, "Swans of Orion" is an uplifting space metal hymn about mysterious alien beings known as the "Swans of Orion" who share interstellar knowledge and blueprints to visiting humans!

You can check more details about the track in this video:

This is a cover version of the amazing soundtrack by Kenji Kawai for the legendary 1995 anime film "Ghost in the Shell"

The haunting opening theme song "Making of Cyborg" is reprised again in the end of the original soundtrack in the song "Reincarnation". The song is a wedding chant in ancient Japanese and combined with the film's visuals gives me goosebumps and has always been extremely inspiring.

The Dol Ammad choir recordings took place back in 2017 together with the "Duel of the Fates" cover and a few extra soundtracks that we recorded and we may release in the future.

“Astroatlas” feels a bit more diverse than “Hyperspeed”. Somehow more “exploratory” compared to the “pure power” that the first episode focused on.

Episode II features themes of epic space fights for the hidden artifact known as the “Astroatlas”, an artifact containing knowledge of cosmic magnitude. There are songs about a mysterious temple predicting these future wars, planet crushing meteor showers, the existential awakening of machines, biobombs, cryo-travel and more.

I feel that “Hyperspeed” and “Astroatlas” complement each other perfectly. Like two brothers, the two episodes were meant to be together. They were composed and some parts were even recorded during the same period of time.

This is my first full album that will have a digital-only release. Current financial struggles, paired with the undeniable global shift towards the digital streaming of music, make physical formats not a viable option for my releases anymore.

The “Duel of the Fates” soundtrack was composed for the 1999 movie "Star Wars: Episode I – The Phantom Menace" and has now become one of the most iconic Star Wars music themes.

This cover song was one of most complicated music productions I have ever done and we have worked on it for more than a year. It has been a dream of mine for so long, “Duel of the Fates” was in fact one of my main inspirations and reasons to form Dol Ammad back in the early 2000’s.

Released in 2012, “Hyperspeed” feels as my most complete Dol Ammad record clearly defining the emotions I want to express with this project. Having released 2 Dol Theeta CDs and since our previous Dol Ammad CD came out way back in 2006, I had tons of inner energy that I wanted to unlock. As I started exploring my ideas and developing the material I quickly realized that this will be a 2-part release under the same concept as I had gathered way too much material for one album to produce.

The concept behind Cosmic Gods is that of the existence of two hidden powers in the universe and the conflicting battles between various space tribes in their struggle to acquire them and eventually become the…(insert epic voice here)…GODS OF THE COSMOS!

The first power is that of “Hyperspeed” and it is hidden in Mercurian stones. The album features also warriors from Titan attacking and annihilating enemy races and planets (Titan Warriors / Xenocide), an immortal magician diving into the molten core of the Sun (Magus Invicta), a tribe of Phobos miners seeing an apparition informing them of their imminent death (Caravan of Mars) and much more happy space madness.

The EP features remixes and also a cover version of Amorphis’ “Black Winter Day”, a song (and an album – “Tales From the Thousand Lakes”) that was a great inspiration when I was starting to discover more extreme and unorthodox structures in metal music. For various reasons and although only digital, “Winds Of The Sun” gave me a very hard time trying to release it. Both the legal aspects needed for doing my first cover song and other crappy stuff in my life slowed me down and thus I am left with a kind of a bitter-sweet taste every time I think about it.

Released in 2006, “Ocean Dynamics” is the second Dol Ammad album. Its aquatic theme and concept emit very deep and rather atmospheric feelings and I am very happy with the ambiences I’ve created in it. Compared to “Star Tales” it’s big steps ahead mainly in the production side of things. The choir recordings were upgraded with the biggest choir I had recorded so far (14 members), I invited drummer Alex Holzwarth to my studio in Thessaloniki and also had the honor to work with the talented DC Cooper who flew from Pittsburgh to my home town for his guest vocals in “Aquatic Majesty”.

It was a very busy 2005, I remember we were working one and a half year full time for this album. In June 2006 I was obliged to join the Greek army and was very sad that the CD was released while I was serving my time there and didn’t enjoy it as much as I would like to. It was also the first CD released from my personal label electronicARTmetal Records and had tons of new things to sort both in my mind and business-wise.

Thankfully I am very proud with the result and excited because it was at that time that I fully realized my need to create more music projects and explore other aspects of sound and composition which would begin with Dol Theeta the next years.

Released in 2004, “Star Tales” is my debut Dol Ammad CD and my first foray into the music business. Featuring re-recorded versions of all the songs that had appeared in our 2002 demo CD and together with new compositions the final result has a “space-party” feel.

On one hand the excitement of my first release and on the other my immaturity at the time resulted in an “everything but the kitchen sink” approach in the compositions. Tons of elements, riffs, melodies, sounds added together to a “wall-of-sound” production.

Of course the highlight for me was the journey I took in Wolfsburg Germany back in 2003 for the drum recordings of Alex Holzwarth in the “Gate” Studios. Apart from Alex, meeting with musicians Robert Hunecke, Sascha Paeth, Olaf Reitmeier and Miro was a beautiful experience.

The ill-fated signing with Black Lotus Records to release the album also felt great at the time. After the subsequent closure of Black Lotus Records, all the rights of "Star Tales" have returned back to me.