Some months ago the newborn realms of DOL THEETA spelled its first bewitching chants: The marvellous debut MCD “Goddess” (read review here) granted a first gaze into the new musical universe of DOL AMMAD mastermind Thanasis Lightbridge. While DOL AMMAD is explosions and explorement, lightspeed and sunstorms, DOL THEETA unfolds the mysterious, phantasmagoric dreamsides of the “Electronic Art Metal” collective.
“Goddess” already promised a lot, but still left one question open: Which of all those multi-coloured facets of the MCD unveil the path of the first full-length album? Is it the catchiness of the titlesong refrain or the morphic complexity of “Deathstars”? How will all the Trance-Ethno-Electro-Pop-Metal-Psychedelic-Ambient elements unite in the first 58 minutes epos of DOL THEETA?
“…A Psychedelic Experience…” The voice that led through the enigmatic whispers of the intro speaks its last words. Ultra-fat electro-bass pumps out of my speakers. But instead of a Techno beat soft, crystalline keyboards set in to enwind them peacefully. Finally drums and heavy guitars join in apace mid-tempo. Still the keyboards spread a (more…)
More than a year ago DOL AMMAD mastermind Thanasis Lightbridge proclaimed the coming of a new galaxy in the universe of electronic art metal. And now finally the long wait is over! The mysterious “Goddess” DOL THEETA strides down from the heavens in majestic beauty and spreads her bewitching, narcotic whispers.
Thanasis is a masterful composer who manages in perfection to combine the mightiness of metal with the crystalline soundscapes of electronic music. DOL AMMAD shows the bombastic, epic sides of this unique mixture, the extroverted and aloft spheres, the onwards riding spaceships and shining light-cities in the skies. DOL THEETA instead is the mysterious, phantasmagoric sister of Dol Ammad. It’s a mesmerizing maelstrom that draws you down to (more…)
Dol Ammad & Theeta interview
Your biography has been covered in your ProgArchives profile so let’s bypass the biography details. But why did you choose those two names and which bands were you influenced by ?
I was looking for some strange-looking and strange sounding names back in 2001 when I started with Dol Ammad. It appeared to me inside the game “Descent 3” which had a level with a fuel refinery called “Dol Ammad”. I then did a little research and “Dol” is a Tolkien word meaning “castle”. “Ammad” is probably an Asian word meaning “Pillars”. Along the way I discovered that I needed at least two more projects to explore my experiment of “electronica art metal”. I decided that the next 2 projects will also have the “Dol” word in front of them and this started with Dol Theeta in 2008. “Theeta” is the eight letter in the Greek alphabet and is the first letter of my name. I choose it mainly because I liked how it sounds.
Let’s start with Dol Ammad. Please tell us more about your first album Star Tales from 2004
“Star Tales” was a big checkpoint in my career, it was my debut album and a product of lots of hard work and (more…)
No, Thanasis Lightbridge doesn’t pocket a lightsaber but there might be a communicator lapel stashed beneath his sleek, futuristic jacket which is both Euro casual stylish as well a possible look at down-the-road military fashion.
In any case, Thanasis Lightbridge has been stoically looking to propel a brave collision between heavy metal, neoclassical reinvention and electronica off the blue-watered Aegean coastline and upwards into a welcoming stratosphere. Paradise inspires paradise in Thanasis Lightbridge’s aesthetics where no rules constrict his art.
You might be familiar with his introductory entity Dol Ammad, a briskly-moving ensemble incorporating all of the above elements set to blazing speed with the accompaniment of choral projection, all to assist the majestic thrust of Lightbridge’s space-raced vision. Further, you might say Dol Ammad is the three-steps-ahead progressive direction thrash metal could one day venture towards.
Lightbridge now offers the listening world Dol Theeta, a separate yet intertwined body of expressionism yielding all of the core tools of Dol Ammad but to a leaner capacity. The fiercely intelligent composer has relayed that Dol Ammad and now Dol Theeta are but two components of a three-piece “Dol” triumvirate in which to convey his celestial-borne ideas.
What we learn about Dol Theeta’s The Universe Expands when placed immediately after Dol Ammad’s Star Tales and Ocean Dynamics albums is that the senior entity represents Lightbridge’s proverbial launchpad in which his earthbound exploration of the world we live prepares us for a leap into the next plane. In other words, consider Dol Ammad the rocket and Dol Theeta the free-float into an astral world so few of us have actually seen but many of us lull about.
This will explain why Dol Theeta focuses more on the electronic elements of Lightbridge’s song crafting as well as his delineation of tempo. Yes, The Universe Expands does bear moments of speed projection, but most of the album is a weightless and lofty tumble through an anti-grav headspace filled with guitar weaves, pounding drum patterns and a heavy dose of translucent, psychedelic key structures.
Plucking guitarist Dim and soprano Kortessa from Dol Ammad for The Universe Expands, Lightbridge impressively utilizes the unique singular talents of his cosmic conspirators and in turn, projects even more of a far-flung essence in Dol Theeta.
Kortessa’s towering vocals fill Dol Theeta’s already expansive megacosm with triumphant octaves, so much you feel you have crossed into the outer regions Thanasis Lightbridge frolics inside of his mind and to where he so desperately wants other would-be space pilgrims to follow him along.
Throwing his well-chosen notes into hypothetical air ducts on songs such as “Afterlife Crescendo,” “Nighttime,” “Something Called Tomorrow” and “Goddess,” The Universe Expands makes good in title, creating a gorgeous and trippy alterworld to get positively lost in.
Hardcore metalheads might have a tough time wrapping their heads around Lightbridge’s insistence upon showing off his diverse instrumentation skills, driving his focus towards pure metal only when called upon to heighten periods of excitement, wonderment or agitation.
Sometimes his keyboards are reminiscent of Zombi or even The Goblins (on the terrific “Every Goodbye” they’re so remiss of a metallic base minus a spectacular guitar solo the whirling and dreamy tune could be tucked neatly on a Thievery Corporation album), but Dol Theeta is hardly interested in creating a creepy ambience. If anything, the favored key and synth usage in Dol Theeta unravels the universe’s infinite boundaries so that Dim can whip out luxuriant solos and Kortessa can keep the listener in uncontrollable suspension.
Wherever Thanasis Lightbridge wants to take us next, it ought to be one hell of a ride…
By Ray Van Horn, Jr
Yes, it is this time of the year, probably the highlight of my every album’s promotion, the Evil Dr.Smith from The Lords of Metal webzine has arrived for another glorious review and a ton of utterly fun questions for me to answer. (more…)
Great news coming from the Avantgarde-Metal Camp, the Dol Theeta – Goddess mini CD made it into number 7 of the Top-10 Albums of 2008 elected by their reader’s charts! Also “The Universe Expands” was awarded “Album of the Month” and is featured in the webzine with a great (more…)